Mullins Eustace Clarence - This difficult individual Ezar Pound

Author : Mullins Eustace Clarence
Title : This difficult individual Ezar Pound
Year : 1961

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The author wishes to acknowledge the following for permission to quote excerpts in this biography : Abelard-Schuman Limited, for excerpts from Intimations by Oliver St. John Gogarty, copyright 1950; Richard Aldington, for excerpts from Life for Life's Sake; Margaret Anderson, for excerpts from The Little Review and My Thirty Years' War; Janice Ford Biala, for excerpts from Thus to Revisit, No Enemy, Return to Yesterday, and New York Essays by Ford Madox Ford; Cassell & Co., for excerpts from The Crowning Privilege by Robert Graves; Christy & Moore, Ltd., for excerpts from J. B. Yeats: Letters to His Son W. B. Yeats; Commentary, for excerpts from "Pure Poetry, Impure Politics, and Ezra Pound" by Peter Viereck (copyright American Jewish Committee); Constable and Company Limited, for excerpts from South Lodge by Douglas Goldring; Caresse Crosby, for excerpts from Ezra Pound's Imaginary Letters published by the Black Sun Press; Esquire, Inc., for excerpts from "Aftermath: The Question of Ezra Pound", February, 1958 issue; Farrar, Straus & Cudahy, Inc., for excerpts from On Poetry and Poets by T. S. Eliot, copyright 1943, 1945, 1951, 1954, 1956, 1957 by T. S. Eliot, and The Apprenticeship of Ernest Hemingway by Charles A. Fenton, copyright 1954 by Charles A. Fenton; Mrs. M. A. Goldring, for excerpts from People and Places by Douglas Goldring; Victor Gollancz, Ltd., for excerpts from W. B. Yeats by Joseph Hone; Harcourt, Brace & World, Inc., for excerpts from The Letters of Ezra Pound, 1907-1941 edited by D. D. Paige, copyright, 1950; Gerald W. Henderson, for excerpts from I Have This To Say by Violet Hunt; Holt, Rinehart and Winston, Inc., for excerpts from Life Is My Song by John Gould Fletcher; Houghton Mifflin Company, for excerpts from Amy Lowell: A Chronicle by S. Foster Damon, and A Critical Fable by Amy Lowell; Mrs. G. A. Wyndham Lewis, for excerpts from Blasting and Bombardiering by Wyndham Lewis; J. B. Lippincott Company, for excerpts from It Was The Nightingale by Ford Madox Ford; The Macmillan Company, for excerpts from King of the Great Clock Tower by William Butler Yeats, The Letters of W. B. Yeats edited by Allen Wade, and Yeats: The Man and the Mask by Richard Ellman; Frederick Morgan, for excerpts from his essay on the Pisan Cantos, in The Hudson Review, Spring 1951; The Nation, for excerpts from their editorial on Ezra Pound, April 1958; New Directions, for excerpts from the works of Ezra Pound; The New Yorker, for excerpts from "Talk of the Town", August 14, 1943 issue; Oxford University Press, Inc., for excerpts from The Identity of Yeats by Richard Ellman, copyright 1954; G. P. Putnam's Sons, for excerpts from Let There Be Sculpture by Jacob Epstein, copyright 1940 by Jacob Epstein; Random House Inc., for excerpts from The Autobiography of Alice B. Toklas by Gertrude Stein, copyright 1933 and renewed 1960 by Alice B. Toklas, and Autobiography of William Carlos Williams; Routledge & Kegan Paul Ltd., for excerpts from W. B. Yeats, Man and Poet by Norman Jeffares; Saturday Review; The New Republic, for excerpts from "The Ezra Pound Controversy" by Malcolm Cowley; The Viking Press, Inc., for excerpts from The Portable Nietzsche translated by Walter Kaufman, Exile's Return by Malcolm Cowley, The Letters of D. H. Lawrence edited by Aldous Huxley, and The Letters of James Joyce edited by Stuart Gilbert; and The Yale Literary Magazine for excerpts from Babette Deutsch's article on Pound in the December, 1958 issue. Special thanks go to Dorothy Pound, for permission to quote from the Rome Broadcasts; to Omar Pound, for his reading and correction of the manuscript, and to Ezra Pound, for his encouragement in the planning of this book. In addition, the author would like to thank E. E. Cummings, Frederick Morgan and Arnold Gingrich for their comments on the galleys, and James Laughlin, for his kind cooperation. ...

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